HOW TO CONFLICT

Never AND. Always OR. Real dramatic conflict gives the protag a choice. This OR That. Success OR Failure. Save the mother OR the child. Capitulate to the antagonist OR get shot. Conflict that has a lot of options is not real conflict. The protagonist is free to save the mother AND the child only after…

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STRONG EMOTIONS MAKE STRONG SCRIPTS

When you conceive your story, don’t forget to build in emotion. People watch movies to feel things. It gets no simpler than that. That begins with the writer. We can talk all day about structure and beats and plot points, but if nobody in the script has their heart on the line, then it all…

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Don’t get it right, get it written. Ally Carter (via maxkirin)

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IAMA Professional Hollywood Script Reader AMAA • /r/Screenwriting

IAMA Professional Hollywood Script Reader AMAA • /r/Screenwriting lifeascaty: Hi, /r/screenwriting! I am a professional Hollywood script reader. I am considered part of the coveted Hollywood inner circle known as… For anyone who might find it useful or interesting, here’s a Reddit AMA with a Hollywood script reader. Of course, if you want to speak…

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Writing advice so obvious it gets overlooked:

witchlingfumbles: Figure out whose story it is, why it’s their story, and why it’s their story now. Knowing whose story it is is sometimes more important than (and sometimes intrinsically linked with) knowing what the story is and how to tell it. It was the best comment I ever got from a writing group and…

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futureoffilm: ‘Crouching Tiger’ Sequel to Hit Netflix and Imax Simultaneously in Groundbreaking Deal Netflix is killing it.

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pixiepienix: look at this fragile delicate flower of a man look at how precarious his value and identity is wonder at the marvel that is masculinity The reason I post this is because it is full of visual information that fills readers with questions and confusion. It’s obviously based on a trope that goes back…

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