godardfanforever: The Deft Touch of Bradford Young: Anamorphic-Widescreen use in A Most Violent Year Immediately noticeable during my recent screening of this understated but not under acclaimed gem is the film’s wide compositions had to scream inside the mind of any cinephile, “this has got to be anamorphic.” Alongside Selma, the film deservedly should be…
Read moresunnysundown: geekygothgirl: jmiah0192: Japanese child actress Mana Ashida (little Mako) was embarrassed that she couldn’t pronounce Guillermo Del Toro’s name so he gave her special permission to call him “Totoro-san” instead. My Neighbor Guillermo Del Toro. If I don’t reblog this, assume I’m dead. Guillermo del Totoro Cuter every time.
Read moremastersofthe80s: Best buddies on the set of ‘Aliens’ (1986)
Read moreScreenplay turning points are moments of significant character change Anonymous (via gideonsway) Points to ponder.
Read moreYou can’t blame Eddie Redmayne or Benedict Cumberbatch but inequality will lead to a milky, anodyne culture. To an extent that’s already happened … There’s not enough writing for women or people of colour. It frustrates me when they insist on doing all-male Shakespearean productions – a wonderful intellectual exercise, maybe, but it’s outrageous because…
Read morethe-pietriarchy: snatch is still the greatest
Read moreleepacey: [ on success ] I’ve only ever really been in shows of friends, so I don’t know exactly what happened. I think I’m incredibly cheap to hire. That can buy some traction. I’m as cheap as it’s possible for an actor to be legally. Hot and cold running dream dialogue.
Read moreimagine-cinema: Escape from New York (1981; John Carpenter)
Read morethescriptlab: Screenplay Themes: Three Points Read this, please.
Read moreutmostidiocy: Oxford Dictionary in the streets. Urban Dictionary in the sheets.
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